Aimee Mann is tough. She didn't like the record industry and what it wanted to do to her art. She wanted to do it her way. She had a vision of her music and nothing and no one was going to stop her from making that vision a reality. She came out with a record called 'Whatever' and it was great. She came out with another record called 'I'm With Stupid' and it was brilliant! She was an indie hit. The she came out with a record called 'Bachelor No. 2' AND she wrote additional music for the film Magnolia. The movie, and, more importantly, the music put her on top of the world. She had respect, career, loving husband, sales, fans, legacy... and that's where it all seems to have gone wrong.
Em and I saw her in 2002 when she was on tour for 'Lost In Space'. That record is not bad, but it feels like it was rushed out as a set of stuff that got left off the last two releases. And that is OK, except that the concert sucked.
I don't make that statement lightly. I want so much to like this artist, and so much of her output is SO good, but not lately. There was no fire, no passion, no sweat. Just going through the motions. That is the fastest way to make me lose interest in your performance. If you don't care, why should I? And we were right up front. We wanted so badly to like this show. Here was someone who had just hit the top of her game. We waited in line, got up front at The Theater of the Living Arts, and she put up a dud. You wouldn't know it from the 'xpn disciples who were generally pleased with the lackluster performance, but the fact remains that this was not a strong show.
AND she was hating on Phil Collins - a guy who, instead of bitching about how life was so cruel to him, got up on top of it and became the busiest man in rock and roll. How many records did that guy produce in the eighties? How many guest spots? How many records did Genesis sell? How many records did Phil sell on his own? But she figured she could get away with, because Phil Collins doesn't get played on the same radio stations that think nothing but unicorns and rainbows come out of Aimee Mann's ass. Sorry, cupcake, but compared to old, bald Phil, you ain't done nothing in your little career.
Which brings us to this particular show. Three months before 9/11, everything was abit different. Back then, Mann's shtick about showin' the man that she could be the best pop songwriter and do it on her terms was still a vital story line. Despite her youthful appearance, there was a world-weariness that carried a lot of weight. 'Look what I've been through. I'm a beaten and bruised, but you still can't stop me!' It sounds like that determination was very present in this performance, and the song selection is just great. This is from a radio show, so the quality is primo as well. Listen to this great show and tell me the hell happened to Aimee Mann. She used to be a badass. Now she's a lightweight.
Hultsfred Festival, Sweden 6-15-01
- One
- Choice in the Matter
- Sugarcoated
- How Am I Different
- Save Me
- That's Just What You Are
- Red Vines
- Susan
- Ghost World
- Long Shot
- Calling it Quits
- Wise Up
- Deathly
- Fourth of July
- The Other Side Of The Telescope
- Driving With One Hand
- Jimmy Hoffa
- You Could Make A Killing
- Choice in the Matter
- Voices Carry
The link is in the comments.
3 comments:
http://lix.in/-50dfbb
the link doesn't work
Back in November, this whole thing blew up for me. I am happy to distribute stuff on an as-requested basis, but you will have to give me a way to get in touch with you.
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