All of this insanity is ushered in by a stop in the Waiting Room. The second song on the second disc is a noise jam that, as the legend goes, was performed at Headley Grange during a storm. Just at the moment of a giant crash of thunder. All the lights went out and the band transformed from a noise jam to a triumphant melodic march. Mike Rutherford holds the rhythm on mild fuzz bass while the other four members push each other over the edge as the exercise becomes more and more feverish. The problem with this legend is that, if the lights went out, how could they still have power for the array of electronic instruments and toys?
While there may be no good answer to that quandary, the truth is that The Waiting Room is a very special piece of music. It was performed live every night on the tour to support 'The Lamb', and, unlike any Genesis music up to that time, it was different at every performance. The same enterprising fan who prepared the Headley Jams I recently posted gives us this gem and it is a gem. On the noisy parts, every item of electronic and percussive trickery is employed to bring about the most unnerving atmosphere possible. And when it's time for 'all change', we get to hear the sublime soloing of Banks and Hackett as they reach higher and higher without sacrificing the deliberate emphasis that makes every note valuable. For a band that didn't improv, they do a fine job and here are the recordings to prove it.
- Headley Grange 1 (7:16)
- Headley Grange 2 (9:14)
- Phoenix (3:48)
- Dijon (3:39)
- Nurenburg (4:51)
- Saarbrucken (4:48)
- Munich (5:21)
- Groningen (5:35)
- Wembley (6:20)
- Southampton (6:05)
- Liverpool (5:08)
- Edinburgh (4:37)
- Manchester (5:08)
- Rheims (4:29)
The link is in the comments.
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